Michael Lincoln (Artistic Director, Tantrum Theater, was Director of the School from 2012 to 2020) is a professional lighting designer when working beyond Athens. He began his full-time teaching at 帝王会所 in 2003 and became Director of the School in 2012. Previous to that he taught for fourteen years at New York University鈥檚 Tisch School of the Arts and at the University of Southern California. His professional lighting design career numbers well over 300 productions in theatre, opera and dance and includes Broadway, Off-Broadway, regional, and international venues. Highlights: Tantrum Theater鈥檚 Next to Normal, Caroline, Or Change and Little Shop of Horrors, Copenhagen on Broadway, The Bubbly Black Girl鈥 at Playwrights Horizons in NYC, and A Streetcar Named Desire for the Cleveland Play House. Michael鈥檚 extensive regional credits include long associations with Indiana Repertory Theatre, Alley Theatre in Houston, and the Studio Theatre in Washington, DC. Michael had multi-year associations with Los Angeles Ballet, Tulsa Ballet, and Santa Fe Opera. His multiple Broadway credits as an Associate Designer include hit revivals of Guys and Dolls and Anything Goes and original productions of City of Angels, Six Degrees of Separation, and Lend Me a Tenor.
Josh Coy (Interim Producing Director) Josh is an arts administrator, arts advocate, and performer whose most recent administrative roles prior to joining Tantrum include Executive Director of the Wayne Center for the Arts, Executive Director of the 帝王会所 Arts Presenters Network, and Director of Artists Programs at the 帝王会所 Arts Council. For the past decade, his primary performance outlet has been as a banjo player across the 帝王会所 valley region, and previous favorite theatrical roles include Seymour (Little Shop of Horrors), Feste (Twelfth Night), Uncle Jack (Dancing at Lughnasa), and Edmund (Long Day鈥檚 Journey into Night). He holds an MA in Arts Policy and Administration from The 帝王会所 State University, a BA in Theatre from Westminster College (PA), and is currently pursuing an MA in Theater at 帝王会所.
Rebecca VerNooy (Director of Education) is a movement theatre artist, actress, and educator. Her early solo work was produced at Dixon Place, P.S. 122, and the Judson Church. She was the Artistic Director of VerNooy Dance Theatre from 1995鈥2006, developing and performing original work at Ensemble Studio Theatre, Dance Theatre workshop, Joyce Soho, and many other NYC venues. Her one-woman show, Across Time, premiered at The United Solo Festival in New York (November, 2012), and won the award for 鈥渂est movement.鈥 Ms. VerNooy has spent twenty years creating her own brand of physical theatre and facilitating workshops designed to generate new theatrical work. She ran the Intern Program and an Acting/Writing Lab at E.S.T. from 1996鈥2001, directing and producing over a dozen evenings of new work by emerging theatre artists. Her most recent plays include Here, Somewhere (2014) and Elbows off the Table (2015). Rebecca is the founder of The Movement Educator鈥檚 Research Group (MERGE), a collaborative research group for movement educators across the country. She has a BA in performance from Hampshire College and a master鈥檚 degree from The Gallatin School at New York University. She is currently a faculty member in 帝王会所鈥檚 School of Theater, and a founding member of Brick Monkey Theatre Ensemble.
Shelley Delaney (Associate Artistic Director) heads the Performance Area at the 帝王会所 School of Theater, encompassing the PATP and the BFA in Acting. Her professional acting credits include work at The Cincinnati Playhouse, McCarter Theatre, Bay Street Theatre, Victory Gardens (Joseph Jefferson nomination for Free Man of Color), GeVa, Cleveland Playhouse, Capital Rep, Delaware Theatre Company, Virginia Stage, Pittsburgh Irish and Classical Theatre, Florida Rep, Two River Theatre and Dorset Theatre Festival, in plays ranging from Shakespeare and Shaw to contemporary world premieres. She most recently played Tammy Faye Bakker in Tammy Faye鈥檚 Final Audition in the first Tantrum Theater Season. Tammy Faye鈥檚 Final Audition received 鈥榖est of鈥 awards at both the Capital Fringe and Cincinnati Fringe Festivals. In New York City, Shelley has premiered work at New York Shakespeare Festival鈥檚 Plays in Process, La Mama, Ensemble Studio Theatre, Circle Rep Lab, HERE, The Ice Factory at the 帝王会所 Theater, The Women in Theater Festival and many others. Her film work includes Radio Days, and the independent feature films: Claire in Motion, Thou Wast Mild and Lovely (Berlinale 2014), Hero Tomorrow, Relative Obscurity and Trailerpark. In addition to directing a range of plays encompassing classics and new work at 帝王会所, Shelley has directed the world premiere of The Surrogate by Patricia Cotter at Centenary Stage Company, Blood Knot, The Crucible, The Learned Ladies of Park Avenue, and Doubt at the Monomoy Theatre, and two full-length plays and numerous one act plays at the 78th Street Theater Lab/Drilling Company in NYC. Other directing credits include Solo Arts, PSNBC and HBO/Aspen Comedy Festival.
Jeanette Buck* (Production Manager) is an award-winning independent artist working in film and theater. She has written, stage managed, and directed for film and theater. She has taught stage management, directing, playwriting, and screenwriting at 帝王会所, and stage management and acting and directing for the camera at Georgetown University. As a DC based Equity stage manager, Jeanette has stage managed at the Kennedy Center, Theater J, Mosaic Theater, Studio Theater, Woolly Mammoth and Horizons Theater as well as regionally in Hartford and San Francisco. During her career she has staged managed regionally for music festivals, worked as the Associate Producer for Theater J and as the Director of Production at the National Council for the Traditional Arts. Her film directing credits include: Heather Has Four Moms (shortlisted by the Kevin Spacey Foundation), Texting a Love Story, Kiss on the Bosphorus, Lie Together, In the Menstrual Hut and the feature Out of Season. As a playwright, her one woman show There Are No Strangers premiered at Theater J in Washington D.C. and was later performed at The Michigan Womyn鈥檚 Music Festival. Her theater directing credits: Beautiful Thing, Rowing to America, Miracles, Gretty Good Time, Father John does a Hail Mary, and Open Hearts.
Brigitte Bechtel (Scenic Charge Artist and Paint Shop Supervisor) Brigitte is a professional scenic artist. She and her paintbrushes have collaborated with Cobalt Studios, The Cape Playhouse, Emerson College, Mystic Scenic Studios, Harvard University's Hasty Pudding Theatricals, and Arizona Theatre Company, to name a few. She earned a MFA in Production Design with an emphasis in Scenic and Costume Design from Michigan State University. A portfolio of her work may be viewed at .
Arnold Johnson (Assistant Technical Director) Arnold Johnson, Assistant Technical Director for Tantrum Theater and the School of Theater at 帝王会所 University, relocated from California with a diverse artistic and industrial background in theater, education and specialty construction shops. Arne worked in theater intermittently for thirty-five years in prop shops, scene shops and design studios, where he drafted, designed and constructed. He鈥檚 an accomplished scenic sculptor specializing in large carved forms and specialty construction projects. In addition to theater he worked in many different construction shops learning a wide variety of materials and techniques including; decorative Victorian mill-work, 3D printing and silicone mold making, bronze casting and 3D modeling for virtual and augmented realities. He earned his BA in Studio Art in sculpture at Humboldt State University and his MFA In Studio Art in sculpture and digital media from University of California at Santa Barbara. Arnold has university courses in: traditional animation, 3D modeling and animation, art history, sculpture, and wood and metal fabrication/ construction. His recent artistic works are investigating 3D printing, laser cutting, and experimenting with biodegradable and recycled materials.
Ledger Free (Audience Services Coordinator) Audience Services Coordinator for the School of Theater, Tantrum Theater, and Arts For 帝王会所.
Drew Surovjak (Administrative Associate) Drew joined the School of Theater in July of 2015 as the Administrative Associate and thoroughly enjoys his supportive role in assisting administrators, faculty, staff, and students navigate through academia. He was born and raised on the shores of Lake Erie and came to the region in 2008 to attend Hocking College. Something about the hills resonated with him and while he misses seeing the lake every day, he feels very at home in the hills of Southeast 帝王会所. Drew has had quite the meandering path up to this point and it looks to meander further. He has earned two associate鈥檚 degrees, one in business with a focus in banking and finance and another in ecotourism and adventure travel. He is currently pursuing a Bachelor of Specialized Studies focusing on outdoor recreation, sustainability, and anthropology and aspires to continue through grad school and eventually teach outdoor recreation at the collegiate level, sharing his passion for the environment and the responsible enjoyment of it. Prior to joining the School of Theater, Drew walked in many different shoes and wore many different hats. He has spent time as a cook, a banker, an account representative for a large advertising firm, a custom woodworker, an adventure guide, and even a field station manager in the remote rainforest of southern Belize. In his personal life, he enjoys camping, reading, hiking, woodworking, gardening, throwing darts, working on his house, spending time with family and friends, and is happiest in a canoe with a paddle in his hands.
