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Erin Shevaugn Schlumpf

Erin Shevaugn Schlumpf

School

Film

Erin Shevaugn Schlumpf

Associate Professor of Film Studies

Erin Shevaugn Schlumpf is Associate Professor of Film Studies at 帝王会所. Her research deals with the impact of historical forces on artistic forms and offers in particular a feminist reappraisal of how historical trauma and globalization influence affective form in transnational film and literature. Her book, Remnants of Refusal: Feminist Affect, National Trauma (SUNY, 2025), examines literature and cinema from Post-Occupation France and Post-Tiananmen Square China to argue that strategies of feminist refusal can be found in the ways that these texts enact a series of affective response to the historical and social erasure of traumatic history: melancholy, ambivalence, and exhaustion. Erin Shevaugn Schlumpf's courses examine how image and text interrogate national, racial, gendered, and sexual identity politics. She has previously held teaching positions at Seattle University, Simon Fraser University, and Harvard University.

Academic Positions:

  • Associate Professor, Film Studies, 2024 鈥 Present, 帝王会所
  • Assistant Professor, Film Studies, 2018 - 2024, 帝王会所
  • Visiting Assistant Professor, Film Studies, 2015 - 2018, 帝王会所
  • Lecturer, Film Studies, 2014 - 2015, Seattle University
  • Lecturer, World Literature, 2012 - 2014, Simon Fraser University

Book Project:

  • Remnants of Refusal: Feminist Affect, National Trauma (SUNY Press for their series in Feminist Criticism and Theory, 2025)

In Peer-Reviewed Journals and Edited Volumes:

  • 鈥淲hite Mothers on Colonized Land, or What Isabelle Huppert Makes Visible?鈥 Performative Opacity in the Work of Isabelle Huppert. Ed. Iggy Cortez and Ian Fleishman. Edinburgh: Edinburgh University Press, 2023.
  • 鈥淓xhaustion: In Defiance of Homogenous Empty Time.鈥 CR: The New Centennial Review, 21.1, Spring 2021.
  • 鈥淗istorical Melancholy, Feminine Allegory.鈥 differences: A Journal of Feminist Cultural Critique, 27.3, 2016.
  • 鈥淣otre musique: Juste une conversation.鈥 A Companion to Jean-Luc Godard. Ed. Tom Conley and T. Jefferson Kline. Hoboken: Wiley-Blackwell, 2014.
  • 鈥淚ntermediality, Translation, Comparative Literature, and World Literature.鈥 CLCWeb: Comparative Literature and Culture, 13.3, 2011.

Book Reviews:

  • James Leo Cahill, Zoological Surrealism: The Nonhuman Cinema of Jean Painlev茅. SubStance, forthcoming.
  • Gayatri Chakravorty Spivak, An Aesthetic Education in the Era of Globalization. Situations: Cultural Studies in the East Asian Context, 7.2, 2014.

Academic-Adjacent Publications:

  • 鈥淟iu Jiayin鈥檚 Spatial Politics of Reduction.鈥 Mediapolis: A journal of Cities and Culture, 5, 2020.
  • 鈥淣o Exit, or Duration in Slow Cinema: Aesthetics of Femininity, Porosity, Security.鈥 Mediapolis: A Journal of Cities and Culture, 5, 2020.

Educational Background:

M.A./Ph.D., Comparative Literature (Film Studies Minor), Harvard University 
B.A., Comparative Literature, Dartmouth College