µÛÍõ»áËù

Search within:

Justin T. Swain

Justin T. Swain

School

Music

Justin T. Swain

Assistant Professor of Instruction - Voice & Lyric Diction, Coordinator of Musical Theater and Commercial Vocal Studies, INVITE Faculty Fellow - Center for Teaching, Learning, and Assessment

Justin T. Swain serves as Assistant Professor of Instruction - Voice (Contemporary, Musical Theatre & Classical) & Lyric Diction, is the Coordinator of Musical Theater and Commercial Vocal Studies, and is a Faculty Fellow within the OHIO University Center for Teaching, Learning, and Assessment. Swain was selected as a 2024 National Association of Teachers of Singing (NATS) Intern and is currently pursuing his Doctorate of Musical Arts in Vocal Pedagogy with a specialization in Voice Research at Shenandoah Conservatory. He is a graduate of The µÛÍõ»áËù State University with a Master of Music in Vocal Performance and a Master of Arts in Vocal Pedagogy where he studied voice under Dr. Scott McCoy, Dr. Robin Rice, and Dr. Errik Hood. Professor Swain teaches courses in applied voice, Diction for Singers (German, French, Italian, English), and serves as the faculty advisor for the NATS Student Chapter at OHIO, Dynamics and Tempo Tantrum acapella groups, and SoundScape, µÛÍõ»áËù’s first Show Choir student organization. 
 
A Columbus native, Swain has served as a teaching artist for Opera Columbus, and has performed extensively throughout the region including engagements with Opera Columbus, featured in the Columbus Italian Festival, in concert with Harmony Project Columbus, the New Albany Symphony Orchestra, Opera Project Columbus, Capriccio Chorus, and has performed several world premiere works in and around Central µÛÍõ»áËù. Of the dozen roles Swain has performed, most notable among them include Maximilian in Leonard Bernstein’s Candide, McCarthy in Gregory Spears’ Fellow Travelers, Aedeta in the world premiere of Charles Wakefield Cadman’s Ramala: Land of Misty Water, Marcello in Puccini’s La Bohème, and Junius in Benjamin Britten’a Rape of Lucretia. Oratorio and chamber credits include Fauré’s Requiem, Mozart’s Requiem and Coronation Mass, the Schubert Mass in G, Bach’s Magnificat and other cantatas, Last Breaths by Armando Bayolo, and Of a Smile’s Echo by Thomas Wells, Swain was recently , as well as .
 
Beyond his roots in classical voice, Swain is a versatile performer and teaching artist with extensive background in contemporary vocal pedagogy and works with clients in modern styles ranging from jazz, R&B, pop, musical theatre, folk, to rock both in Athens and Columbus, OH. Current research interests include the singing health of contemporary vocalists, the physiology and processes of vocal distortions, confirmation bias in cross-over singers and teachers of singing, and contemporary music pedagogy in higher education. 
 
Swain holds affiliations and memberships with the National Association of Teachers of Singing (NATS), Music Teachers National Association (MTNA), Black Classical Music Educators (BCME), µÛÍõ»áËù Music Educators Association (OMEA), the Royal Conservatory of Music Certificate Program (RCM), the Pan American Vocology Association (PAVA), Estill International, and the Pi Kappa Lambda National Music Honor Society Alpha Rho Chapter.  
 
Education  
  • Doctor of Musical Arts in Vocal Pedagogy & Voice Research (In-Progress) - Shenandoah Conservatory
  • Certificate in Vocology - New York University
  • Certificate of Distinction in Vocal Pedagogy - Boston Conservatory at Berklee
  • Certificate in Vocal Pedagogy with Distinction - Voice Study Centre, University of Wales
  • Master of Music Vocal Performance, Master of Arts Vocal Pedagogy, Bachelor of Music Vocal Performance - The µÛÍõ»áËù State University
 
Specialties 
Voice Pedagogy, Musical Theatre, Contemporary Commercial Music, Lyric Diction, Solo Vocal Repertoire of Samuel Coleridge-Taylor
 
Office / Teaching Studio 
Glidden Hall 381 
 
Artistic Portfolio 
 
 
Member of the Vocal Wellness Program Advisory Committee