While researching her book about 19th-century farmer-medium Jonathan Koons鈥攚hose seances on the outskirts of Athens drew multitudes of spiritual seekers and gawkers from across the country鈥擲haron Hatfield was struck by Koons鈥 belief that the ground of his farm itself enabled his communications with the dead.
鈥淗e thought that there was something different about the landscape here鈥攖he minerals or magnetic properties of the ground,鈥 Hatfield said. She was so drawn to Koons鈥 ideas about the land itself that she titled her book .
A young Koons moved to remote southeast 帝王会所鈥攖hen considered the West鈥攊n 1835, from Pennsylvania. In 1852, he converted to spiritualism, the alternative religious movement that by then was sweeping the nation. After he built his 鈥渟pirit room,鈥 which used musical instruments and other apparatuses intended to communicate with the dead, he and his entire family became known as mediums, and their following surged.
In Koons, Hatfield, MS 鈥91, found a subject that allowed her to illuminate a counterculture that flourished throughout the United States, Britain, and elsewhere in the 19th century. Hatfield, who describes them as 鈥淰ictorian hippies,鈥 says spiritualists were social reformers. 鈥淭hey wanted a less punitive vision of Christianity. They advocated for women鈥檚 rights and the abolition of slavery, among other things. They did not believe in hell, preferring to think that everyone had a chance to progress spiritually even after death.鈥
Hatfield relished recovering the story of an influential but largely forgotten local. 鈥淲e pride ourselves here in Athens on being a progressive community, as were the spiritualists. But beyond that, Jonathan Koons had a personal message that extends far beyond our region: Believe in yourself, learn to appreciate your divine nature, and find your own voice. That is what he tried to do.鈥